Tag Archives: Art

The Art of Growing Old – Thoughts for Joe Biden

21 Sunday Jul 2024

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I love Joe Biden – always have. He has heart and his personal losses, wonderful marriage and loving children and grandchildren, the esteem of his colleagues and from the Democratic Party, and his understanding of America’s purpose in the world have made him a great president with accomplishments that will be compared with FDR and LBJ. But, he’s having a hard time aging and letting go, and that’s sad to watch. We all get old, if we’re lucky. At almost 75, I’m beginning to understand the effects of aging much better myself – mild memory loss, loss of quickness of mind, more aches and pains, physical weariness earlier in the day, etc. etc. etc. – but so much positive comes with aging too – a greater perspective, enhanced appreciation, deepening gratitude, wider generosity of heart, inner calm.

Joe is a great man, and perhaps his resistance in stepping aside is part of the reason for his greatness, that his dogged persistence in making a difference, to do what few human beings have been successful in doing – reaching the highest office in the world – blinds him to the new reality in his life – getting old. Joe’s accomplishments as a leader, politician and statesman are very great, but his time to step aside has come – that’s obvious to any objective observer.

Step aside Joe – we love you. We admire you. Your legacy will stand the test of time. You will rise even higher than #14 in the long list of presidents as history judges you so very well.

Here are some inspired thoughts about getting older, both from the perspective of one who ages and from philosophers, anthropologists, sociologists, artists, and writers. If anyone knows Joe personally who reads this, share these quotations with him and Jill. He has nothing to fear and everything to gain. He has been and can be still our hero and example.

Aging is a gift – “Aging is a gift, a chance to keep growing, learning and experiencing life in new ways. It’s about defying limitations and embracing the possibilities that lie ahead… It’s not about passively accepting age it’s about actively living each day to the fullest, wrinkles and all.” -David S. Cantor

Senility and Aging – “I feel as if I’m losing all my leaves. The branches, and the wind, and the rain… I don’t know what’s happening any more. Do you know what’s happening?” -“The Father” with Anthony Hopkins

Compensation of Growing Old – “The compensation of growing old, Peter Walsh thought, coming out of Regent’s Park, and holding his hat in his hand was simply this, that the passions remain as strong as ever, but one has gained – at last! – The power which adds the supreme flavour to existence – the power of taking hold of experience, of turning it round, slowly, in the light.” -Virginia Woolf, Mrs. Dalloway

Respecting the Aged – “Respect an old man who has lost his learning: remember that the fragments of the tablets broken by Moses were preserved alongside the new.” – -Babylonian Talmud, B’rachot 8b

The Aging Artist – “The art of fresco was not work for old me…one paints with the brain and not with the hands.” -Michelangelo

“Clouds of affection from our younger eyes / Conceal the emptiness which age descries. / The soul’s dark cottage, battered and decayed. / Let’s in new light through chinks that time hath made.”-Rembrandt

Characteristics of Old-Age Style in Work of Greatest Painters and Sculptors – “A sense of isolation, a feeling of holy rage, developing into what I have called transcendental pessimism: a mistrust of reason, a belief in instinct. … the feeling that the crimes and follies of mankind must be accepted with resignation… a retreat from realism, an impatience with established technique and a craving for complete unity of treatment, as if the picture were an organism in which every member shared in the life of the whole.” – Kenneth Clark, Aging Artists

The Complete Life – “The complete life, the perfect pattern, includes old age as well as youth and maturity. The beauty of the morning and the radiance of noon are good, but it would be a very silly person who drew the curtains and turned on the light in order to shut out the tranquility of the evening. Old age has its pleasures which, though different, are not less than the pleasures of youth.” -W. Somerset Maugham, The Summing Up

Loving Life – “No man loves life like him that’s growing old.” -Sophocles, Acrisius

Growing Old – “Grow old along with me! / The best is yet to be, / The last of life, for which the first was made.” -Robert Browning

The Secret of Old Age – “The secret of a good old age is simply an honorable pact with solitude.” -Gabriel Garcia Marquez, One Hundred Years of Solitude

Continuing On – “There is only one solution if old age is not to be an absurd parody of our former life, and that is to go on pursuing ends that give our existence a meaning.” -Simone de Beauvoir, The Coming of Age

The Blessings of Age – “For age is opportunity no less / Than youth itself, though in another dress. / And as the evening twilight fades away / The sky is filled with stars, invisible by day.” -Henry Wadsworth Longfellow, Morituri Salutamus

A Truth About Growing Older – “As you grow older, you will discover that you have two hands, one for helping yourself, the other for helping others.” -Audrey Hepburn

The Life of the Elderly – “We cannot live the afternoon of life according to the program of life’s morning.” -Carl Jung

The Art of Growing Old – “The art of growing old is the art of being regarded by the oncoming generations as a support and not a stumbling block.” -Andre Maurois, An Art of Living

The Big Bang and “Cosmos: A Space Time Odyssey”

21 Friday Mar 2014

Posted by in Art, Beauty in Nature, Ethics, Musings about God/Faith/Religious life, Poetry

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“What are you doing earth – in heaven? / Tell me – what are you doing – silent earth?”

I recalled this two-line poem by Giuseppe Umbaretti (1888–1970) recently because in the last two weeks the relationship between heaven and earth has come sharply into focus in a new 13-episode Fox television series called “Cosmos: A Space Time Odyssey” that explores the beginnings of the universe. It is narrated by the astrophysicist Neil de Grasse Tyson, the Director of the Hayden Planetarium at the American Museum of Natural History in New York.

In addition, the Wall Street Journal reported this week that scientists have detected in patterns of gravity waves in the radiation that lingers in space that they believe is the faint afterglow of the big bang. Before, the big bang was only a theory of the universe’s origins, but with this discovery astrophysicists and astronomers believe that the big bang actually occurred 14 billion years ago.

“Cosmos: A Space Time Odyssey” has stunning graphics and spectacular photography, so it is a magnificent series to watch. As I experienced that first episode I was struck by awe and wonder and by how very small we human beings are against the staggering size of the cosmos and the enormity of time that has passed since the big bang.

In the first episode Dr. Tyson sought to make intelligible the enormity of cosmic time by placing the events of the last 14 billion years on a single one-year cosmic calendar.

The first two hundred million years, he said, were quiet, but then things began to happen. The first stars appeared on January 10, thousands of galaxies emerged on January 13, and hundreds of billions of suns on March 13. The birth of our own sun came much later, on August 31, four and a half billion years ago.

On September 21 life began. On December 17 sea creatures filled the oceans. The first flower bloomed on December 28, and on December 30 a great asteroid crashed into the earth wiping into extinction the dinosaurs.

On December 31,at precisely 11:59 PM and 46 seconds, 14 seconds before the cosmic year ended at mid-night, our human ancestors stood erect, walked the earth, looked up, and contemplated the cosmos.

Consider how far we’ve advanced in just the last 57 years since Sputnik and 35 years since Neil Armstrong walked the lunar surface.

Where formerly imagination and the spirit world claimed heaven as their domain, the space age has enabled us humans to enter that formerly inaccessible realm.

Everything connected with our space program has brought us deeper scientific knowledge and achievements the ancients could not have imagined.

The staggering immensity of it all boggles the mind. Science is now postulating, as religion has always affirmed, that every species of life, tens of thousands of diverse forms, have come from a single atom exploding in the big bang.

This recognition of our oneness with the universe is where science and faith come together. Both inspire surprise and awe. Both evoke appreciation and gratitude. And in our hearts our response can only be one based in love, because in oneness we understand that all things, all creatures and all existence belong to each other, are a part of one another and share together our one universe.

We live, each of us, in a sea of energy that moves all things forward. Our task is to attune ourselves to that flow of energy, to the life of the world and the surprise of being, that we might flow with the greater family of life, and become one with the same force that moves the sun, moon and stars.

Our yearning to belong and be a part of that oneness is fulfilled when we give back of ourselves in love to others and the world, thereby preserving and perpetuating what has been given to us.

Shabbat shalom!

The Famed Israeli Singer Noa says “Delete” to Israeli Song Award Because of Another Singer’s Hatred Towards Gays, Arabs, Leftists, and Secular Jews

14 Friday Feb 2014

Posted by in Art, Ethics, Israel and Palestine, Israel/Zionism, Jewish History, Jewish Identity, Social Justice

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Achinoam Nini (Known internationally as “Noa”) is among Israel’s greatest singers. Forty-four years old of Yemenite family background, she is not only a phenomenal singer and a true beauty, she is principled, kind-hearted and generous of spirit.

Noa refused to accept a prestigious singing award from ACUM, a nonprofit group that seeks to ensure copyright laws protecting artists’ works, because another singer Ariel Zilber was to be presented with a life-time achievement award at the same ceremony.

Noa has taken offense at Ariel Zilber’s extremist politics and hateful speech towards a number of groups.

He hates homosexuals and declared not only that gays and lesbians should be banned from society, but that “To be a homo is a perversion.”

He proclaimed that all secular non-religious people “have nothing to offer, only to get sick with AIDS and look at naked women. Phooey!”

He said, “All leftists should be expelled [from Israel] and sent to the devil. They are Amalek!”

He praised the assassin of Yitzhak Rabin, Yigal Amir, as well as Baruch Goldstein, the American doctor who murdered 29 Muslims with a machine gun while they were praying in the Hebron Ibrahimia mosque, the traditional burial cave of Abraham and Sarah that both Jews and Muslims regard as a holy site.

He supports “Price Tag” attacks (perpetrated by extreme right wing settler groups) on Arabs and Israeli peace workers (i.e. Shalom Achshav).

He proclaimed that “the Arabs are not worth anything. They don’t know how to do anything but kill.”

And Zilber composed a song stating that Rabbi Meir “Kahane was right,” though the High Court of Israel outlawed Rabbi Meir Kahane’s political party “Kach” as racist.

I am grateful to Uri Avnery, a venerable 90 plus year Israeli journalist, for alerting me to Noa’s political and moral courage in refusing to share a stage with this hateful bigot.

Noa deserves a different award altogether, an “Israeli Mensch Award.” Not only has she lifted her good name high above the fray. She is the embodiment of the best of Israel’s spirit.

The Emotional Reality that Underpins Everything We Feel and Do as Individuals and as a Society

02 Monday Dec 2013

Posted by in American Politics and Life, Art, Ethics, Health and Well-Being, Social Justice, Women's Rights

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It is true in our interpersonal relationships, as it is true in religion, science, politics, business, education, technology, and the arts – that those who take the greatest risks, who act from love and not fear, who challenge the limits of current thinking and think outside the box, who meld their self-interests with the common good, who act on behalf of justice, compassion and peace, that these are the people who not only evolve and grow as individuals, but effect progress in society and the world as a whole.

I have pondered for years why some people are uncommonly courageous, willing to step outside the mainstream to create something new, to fight for justice and peace, despite the inherent risks.

I ponder as well why other people resist positive change, hold tenaciously to their truths regardless of the evidence that disproves their veracity, are risk adverse, and seek certainty even if it means ignoring innovations that will improve their quality of life and the quality of life of others.

Dr. Brené Brown, a research professor at the University of Houston in the Graduate College of Social Work, has studied such differences in people and come to the conclusion that the determining factor in the way people think and behave is how they cope with vulnerability, for it is vulnerability that underpins our feelings about ourselves, our relationships to others and to the world around us.

At the heart of vulnerability, she says, is the fear of losing connection with others due to a sense of inherent unworthiness. The most frightened among us fear especially the shame that comes with disconnection. These people assume that because they themselves feel unworthy they will be rejected when others discover the truth about them, that they are not smart enough, desirable enough, lovable enough, talented enough, competent enough, promotable enough, or wealthy enough. Whatever the deficiency they feel, they fear being revealed as flawed and vulnerable.

Those who do not fear their vulnerability are what Dr. Brown calls “whole-hearted” because they feel worthy of love and connection, despite their flaws, and so they allow their vulnerabilities to be known and seen and do not worry about rejection. Such people tend to have greater empathy and tenderness, and rather than fear the shame that comes with disconnection, they feel courage in connection. It is that courage born in a sense of self-worthiness that enables them to muster their abilities, insights and talents and take risks, create, innovate, and change.

Those who fear disconnection the most not only become numb to their vulnerabilities, they numb other emotions including empathy, compassion, gratitude, and joy. Disconnected, they feel miserable and seek means to discharge their misery. Is it any wonder, Dr. Brown asks, that this generation of Americans is the most addicted and medicated cohort of any we have seen before in American history?

Those numb to vulnerability tend to crave certainty and black/white answers to life’s most difficult challenges. They regard intolerance as virtue, openness as destabilizing, nuanced thinking as elitist, and creativity as subversion.

To acknowledge vulnerability is to accept our humanity, for none of us is perfect. Recognizing our vulnerability means that we are alive, and being courageous in connection we invest in relationships that may or may not work out. We start something new that may or may not bear fruit. Vulnerability understood this way is hardly negative, it is the birthplace of innovation, creativity and change.

As I have thought about the role that vulnerability plays in the way people, communities and nations respond to creativity, innovation, and change, I believe that Dr. Brown has identified a key emotional reality that we ignore at our own peril.

On Demolishing and Rebuilding our Chapel

23 Thursday May 2013

Posted by in American Jewish Life, Art, Divrei Torah, Ethics, Jewish History

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Among the most compelling of Biblical verses is Exodus 25:8 – Asu li mikdash v’shachanti b’tocham (“Make for me a Sanctuary that I might dwell in them.”) because it is the basis over three millennia upon which the Tabernacle, the Jerusalem Temple and synagogues have been built.

In mid-June we at Temple Israel will commence the final stage of a ten-year rebuilding project to be completed before the High Holidays of 2014. The first act is to demolish this Chapel. In late September after the High Holidays 2013 we will gut the lobby, social hall, library, and administrative offices.

In place of the old will arise a newly designed state-of-the-art enlarged light-filled multi-use space that can accommodate a congregation four times the size from what we had twenty five years ago.

Tonight we pray together in this Chapel for the very last time, and I want to reflect on its unique history, architecture and sacred character, and to respond to the question – What Jewish tradition says about demolishing a synagogue, as we are about to do?  

Generations have used this sacred space for worship, Torah reading, learning and life cycle events thus making it a place of holiness and memory.

The Chapel was built 60 years ago as part of the Briskin Building construction, and was named in memory of Isaac Chadwick, a founding member of Temple Israel of Hollywood and owner of Chadwick Studios.

It was built in the Bauhaus design (lit. “House of Construction”), the modernist  German arts, crafts and architectural movement that thrived between the First and Second World Wars. Bauhaus architects turned away from “fanciful experimentation,” and based their designs on what was considered rational, functional and standardized principles. Bauhaus elements include non-symmetrical forms, indoor-outdoor continuous space, and simplified design elements such as those on the right front wall evoking menorot, the glass on the eastern wall over the Ark, and our Ner Tamid (Eternal Light).

Our Aron Hakodesh, however, is not Bauhaus. It was commissioned in the mid-1930s by one of our early Temple leaders, the film producer Hal Wallis (e.g. Casablanca, The Maltese Falcon, True Grit, and Anne of the Thousand Days), who hired stage designers at Paramount Studios to create an Ark for the first Temple Israel building on Ivar and Sunset (now demolished). This Ark has a carved relief of Moses leading the people to the Promised Land.

There was a minor controversy at the time that Hal Wallis used Paramount Studio funds to build our Ark. He denied it and claimed that he paid for the Ark out of his own pocket and the studio workers built it on their own time.

We are likely the only synagogue in the world with an Aron Hakodesh designed and constructed by a Hollywood film studio. We will keep and display the Ark doors, though it will not be part of our new Chapel.

Emotionally it may be difficult for some among us to witness the demolition of this prayer space. Change is, after all, at times difficult. The larger question, however, is does Jewish tradition permit a community to demolish its synagogue at all?

There is nothing stated directly about this in the Hebrew Bible. However, based on verses in Deuteronomy (12:4-6) the rabbis legislated against destroying synagogues (Babylonian Talmud, Megilah 26b).

Rav Chisda (d. 320 CE) taught that a synagogue, however, could be demolished if a replacement synagogue were built first. We, of course, have not done so because the new Chapel will be built on the site of the old. Rav Chisda’s primary concern was based on his fear that even if the money were raised, the community might decide to use the funds for another purpose, such as the ransoming of captives (pidyon sh’vuyim) (Babylonian Talmud, Baba Batra 3b) thereby not building a synagogue at all.

If, however, there were already another synagogue available for worship adjacent to the demolished synagogue, other sages rule that the demolition of the older synagogue is permissible. Since our Nussbaum Sanctuary will be our “replacement” synagogue for the next 15 months and, of course, beyond, we see no violation of the tradition in what we are about to do.  

To the contrary, the plans for this new Chapel are inspiring (Koning Eizenberg Architects). It will be built upon the faith and traditions of the old.

Most of all, we will be able to fulfill the mitzvah – Asu li mikdash v’shachanti b’tocham (“Make for me a Sanctuary that I might dwell in them.”)

Chazak v’eimatz v’Shabbat shalom!

Bezalel: A Master Architect of Sacred Space – Parashat Vayakhel-Pikude

07 Thursday Mar 2013

Posted by in American Jewish Life, Art, Divrei Torah, Inuyim - Prayer reflections and ruminations, Jewish History, Musings about God/Faith/Religious life, Uncategorized

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This week we learn about Bezalel, the man chosen to design and build the Tabernacle that carried the tablets of the law that Moses brought down from Sinai. (Exodus 38:22-39:31)

On the face of it, these verses describe the matter-of-fact building of a physical edifice. But this isn’t merely an architectural plan. Rather, it’s a description of the highest aesthetic vision of the ancient Israelites, a standard of beauty and meaning that would impress itself upon the soul of generations of Jews to come in the land of Israel and all the lands of the Diaspora.

Not just any craftsman could design and build this sacred structure. The necessary qualities are spelled out in the text:

“See, God has called by name Bezalel … and filled him with the spirit of God, with wisdom (chochmah), with understanding (t’vunah), and with knowledge (da-at) in all work. And God instilled thoughts (lachshov machshavot) [in Bezalel’s mind] in order for him to make designs of all kinds…” (Exodus 35:30-32)

Because of the importance of the Mishkan in the iconography of Jewish tradition, our sages sought to understand the deepest meaning of this passage. Rashi says that chochmah is the wisdom we learn from others; t’vunah – the understanding we gain from life experience; and da-at – mystical intuition. Jewish legend assumes that Bezalel was well-versed in Kabbalah, that he understood the combinations of letters with which God created the heavens and the earth.

From all this Bezalel is presented as a master craftsman and architect, seasoned by life’s experiences, open-hearted and open-minded to the needs and insights of the people, inspired with a Godly spirit, and understanding of the fundamental laws and truths at the core of creation.
The name “Bezalel” means “being in God’s shadow,” suggesting that he had attained the level of tzadik and achieved yihud, unity with God.
Rabbi Levi Yitzhak of Berditchev says, yes, Bezalel’s function was to be the chief executive of this project to build the Mishkan, that is, in Rabbi Levi Yitzhak’s words, “someone who would meticulously carry out instructions.” But the next verse adds another dimension when it says “v’lachshov machshavot” ([and God] “made him think thoughts”), meaning that Bezalel was asked not only to carry out God’s instructions, but to contribute “original ideas of his own.”

There are people today and throughout history who have made and do fine work replicating through drawing, painting, sculpture, and architecture what they see objectively in nature, and in the art and architecture of others. They seek, at the very least, to reconstruct what they see. The great artist, however, does more than repeat. He/she adds something ineffable to the work – a deeper and broader vision that is unique to the artist.
Bezalel was such an artist. Yet, a midrash says that even his wisdom, understanding, knowledge, and originality weren’t sufficient to merit his assignment as chief designer, architect and manager of the building of the Mishkan.

A midrash has God asking Moses if he, Moses, thought Bezalel was suited for this holy duty. And, as if stunned by the question from the mouth of the Holy One, blessed be God, Moses replied, “Master of the universe! If You consider him suitable, then surely I do!” Whereupon God instructed Moses, “Go and ask Israel if they approve of my choice of Bezalel.” And Moses did so.

The people, also probably stunned, replied, “If Bezalel is judged good enough by God and by you, surely he is approved by us, too.”

From this, our sages concluded that Bezalel wasn’t only God’s choice but also the people’s choice.

Mark Chagall adds yet another dimension to the task of the artist when he wrote that “the artist must penetrate into the world, feel the fate of human beings, of peoples, with real love. There is no art for art’s sake. One must be interested in the entire realm of life.”

This story reminds us to consider well the nature of our own  sacred spaces. They are not meant to be merely functional meeting halls with an ark and Torah scrolls on the eastern wall. Rather, they should reflect the highest aesthetic vision of our tradition and people, and thereby not only enhance our prayer experience in their spaces but construct stairways to heaven.

That is the architectural vision that our own architects, Hank Konig and Julie Eisenberg of Konig-Eisenberg Architects, Inc. have envisioned for our new chapel to be built in this very space.

It is our fervent hope that construction will begin soon thereby fulfilling at last the final stage of what we set out to do as a congregation more than ten years ago, to create a new synagogue as a whole and a new sacred space in which we may celebrate the holy and draw nearer to God.

Shabbat shalom!